With the limited-time-only event of Kpop Demon Hunters out of theaters, Weapons returned to the top of the box office charts with the 50th anniversary release of Jaws swimming close behind.
Weapons generated another $10.4 million, bringing the total to $132.6 million domestically and $235.1 million worldwide. The movie dropped another 32% from last weekend and is expected to surpass Final Destination: Bloodlines‘ domestic total, becoming the ninth-highest-grossing film of the summer and the 12th-highest-grossing movie domestically for 2025.
Jaws returned to 3,200 theaters, including many premium format theaters, and took in $8.1 million. That brings the movie’s all-time domestic gross to $280.4 million. When Jaws was first released over the weekend of June 20, 1975, it grossed $7.7 million in 409 theaters, eventually expanding to 954 theaters at its widest release. It grossed $2.6 million in 1,246 theaters upon its re-release in September 2022.
Caught Stealing opened in third place with $7.8 million. That’s the second-best opening ever for Darren Aronofsky, but a distant second as Noah made $43.7 million for first place. The movie received a B CinemaScore, which suggests a mixed audience reaction at best, although it has an 85% Popcornmeter rating on Rotten Tomatoes.
Freakier Friday and The Roses rounded out the top 5, with The Roses opening in fifth place with $6.2 million. It has $17.2 million worldwide. Freakier Friday has grossed $132.6 million worldwide.
Further down the list, Fantastic Four: First Steps has just crossed the half-billion-dollar mark with $506.6 million worldwide. It’s the ninth-highest-grossing film worldwide for 2025.
Opening outside the top ten was The Toxic Avenger, which made $1.7 million in 1,995 theaters. The film had the same distributor as Terrifier 2 and 3, and its opening was just below Terrifier 2‘s widest release, which had a weekend gross of $1.9 million. There’s really nothing to compare to the older Toxic movies, as they barely had theatrical releases, if any, and were primarily made for the home video market.
The best per-theater average went to Love, Brooklyn, which made $49,000 in 1 theater.
